Austin Film Festival had the regional premier of the well-produced biopic
THE YOUNG VICTORIA this Wednesday at the Paramount. I enjoy watching Emily Blunt, who has charisma to burn no matter what part she's in. She was the snotty, highly strung assistant in THE DEVIL WEARS PRADA. She played a self-destructive American in SUNSHINE CLEANING. But my favorite part for her was as Prudy in THE JANE AUSTEN BOOK CLUB, where, in a large ensemble cast of excellent actors, she created the most memorable and quirky performance with a wonderful emotional arc.
So she's a good choice to play the young Queen Victoria, in her time from the to-be queen, and then her coronation. Followed by her choosing the best suitor for her husband, then figuring out how to make him feel worthwhile to the kingdom. She does a good "calm face" showing emotion underneath. And she passes for young Victoria pretty well from the paintings of the time. The other good choice is totally British actor Rupert Friend as a dead ringer for Albert. The foo-foo hair, the extremely sweet smile, the really good German accent. He was a babe, and Victoria liked him best from the first. Miranda Richardson was also good, and she's making a latter-day career of playing women of the British royal line, it seems. Paul Bettany could've been good, but the script gave him hardly anything to work with, see below.
The costumes and sets were so so gorgeous! And authentic -- they go into Buckingham Palace, the real joint, for a key scene. That's one of the benefits of getting Sarah Ferguson, her royal something, as a producer. But I fear that also made the story tamer than what was needed...
The problems? The script is lame indeed. A few high points, but no real dramatic arc to keep us invested. It's that thing about history: we know the result. She married Albert, had 300 kids and ruled for 900 years. I'm really surprised at how little was done to educate us about the political and historical facts about her taking the crown in a way that had emotional resonance. This was a script by Julian Fellowes (loved GOSFORD PARK) too! They resorted to white words on a black screen to set up how awful was the Order of Regency. Only we never did get a clear idea why the Parliament wanted and the royalty feared it. How would it have been so different from how it was already?
Much of the dialog was unremarkable. Yes, there was the famous rant by King William, her ailing uncle, where he fawned on Victoria but spat at her controlling mother. But other dialog, especially the love connection with her and Albert, not so great. And the direction was flat as could be. In something like this, you must focus on inanimate objects sometimes to support the story telling. You have to vary close-ups, medium shots, and some full shots. The director in this movie did almost everything medium shot. Very static, and with the lack of arc in the scripts, made the movie even more bogged down.